Library Online Orientation for Instructors
Mon, 16 Jul 2018 13:44:00 +0000
UNC Greensboro University Libraries can help you with your research and instruction. Librarians can come to your class to teach on research, source evaluations, citations; offer training on Zotero, a free citation management software program; as well as offer scholarly communications assistance, an institutional repository, liaison librarian, data management, and more! Come to this quick 30 minute online orientation to learn more about UNCG library resources and services. If you attend the orientation and fill out a quick evaluation, you will have the chance of winning a $25 Barnes and Nobles gift card. To register, visit go.uncg.edu/libinstructor
Orientation Dates and Sign Ups:
Monday, August 13th - 2pm - Sign Up Link
PRESERVING THE PAST FOR THE FUTURE
Restoration of a Collection of String Quartet Compositions
Wed, 13 Jun 2018 18:35:00 +0000
Prioritizing our work can be challenging as we provide services to the general circulating collection in Walter Clinton Jackson Library
, the collections of the Harold Schiffman Music Library
, as well as the various collections of the Martha Blakeney Hodges Special Collections and University Archives
. Part of our consideration of how to devote our time depends on how an item will be used, such as in an exhibition, with a class, or for a scheduled researcher appointment. The curator of each collection makes those decisions and the work falls into our work queue according to how soon it will be needed and for what purpose it will be used.The cello music collections at UNCG constitute the largest single holding of archival cello music-related materials in the world. Stacey Krim manages the collection. One of her many duties is identifying items needing conservation and/or restoration (what's the difference?) so that they may be used by researchers or in classes, stabilized for storage, or handled for digitization purposes.
This set of four volumes was bound by one of its previous owners and contains the instrumental parts for a variety of string quartet compositions written by variety of composers and published by different publishing houses between 1780 and 1809. The set was donated to the UNCG Cello Music Collection as part of the Bernard Greenhouse Collection. Krim identified the items as a priority for conservation and transferred them to Preservation Services. We determined that due to their intended use with classes and researchers, both repair and restoration would be necessary.
|Four volumes before treatment|
The binding style of these four volumes is referred to as half leather. A book with all leather or all book cloth as its covering material is referred to as full leather or full cloth respectively. A book with leather or cloth at the spine and fore edge corners (or sometimes there is a strip of leather or cloth all along the fore edge instead of just at the corners) with an alternate material for the rest of the cover is half leather or half cloth. And, a book with leather or cloth just at the spine with a different material, such as cloth or paper, covering the remainder of the book is referred to as quarter leather or quarter cloth. Quarter and Half bindings were developed as a way to minimize use of the more expensive binding materials by covering the rest of the book cover in a more economical material such as cloth or paper.
|Left to Right: Quarter Leather, Half Leather, and Full Leather Bindings|
Three of the bound music scores were missing the spine all together and one book had a detached spine. The leather at the spines and fore edge corners was dry and brittle. In some cases, the leather had worn away to reveal the book board underneath.
|Bound volumes with missing or detached spines|
|Tail edge of damaged volume before treatment|
|Mended pages during the treatment process|
The paper sides, in this case blue paste paper, were also damaged and worn, particularly at the edges. The text block pages were in fairly good condition, but there were some tears and losses, including insect damage in a few places.The interior pages were mended with Japanese paper and wheat starch paste. The covering material required several steps of treatment. The leather was treated with Klucel-G, a consolidant that also helps prevent the leather from burning (darkening) during the mending process as it is exposed to the moisture of the paste.
|After restoration treatment|
|Worn leather fore edge corner with damaged board underneath|
The book board was consolidated as well, and in some cases it was rebuilt where it was too damaged or was missing parts.
|Rebuilding the board with linen cord remnants and adhesive|
|During treatment - Japanese paper applied, then toned to match|
Toned Japanese paper was applied over the exposed book board and then further toned with watercolor to more closely resemble the original covering material of either leather or paste paper. A coat of Klucel-G was applied over the newly attached Japanese paper and watercolor to further seal and protect the Japanese paper and to match the sheen of the original leather.
|After treatment - corners fully restored|
|Spines during treatment|
The new spines were created with Japanese paper laminated to Irish linen to lend strength, then attached to the books. The one remaining original spine was reattached over the laminated Japanese paper and Irish linen.
|Spine reattached and secured with toned Japanese paper|
Not all of the books we treat receive full restoration such as these. For example, the priority for a book in the generally circulating collection is to return it to service quickly having been repaired in a method that can withstand the use of many patrons over a long period of time. Though we make every effort to create a tidy, attractive repair, the priority is the strength and speed of the repair. Though the restoration of the four volumes of cello music provides a functional and aesthetically pleasing solution, it required a much more time-consuming process and is perhaps not capable of receiving the regular handling as a book in the general collection.
|Four volumes after treatment|
Nonetheless, it is a treat for us to do restoration work as it is a change of pace and often provides such satisfying results, though more challenging work to do.
Registration Deadline Extended! UNCG's 2nd Annual Safe Zone Summit
Wed, 11 Jul 2018 18:59:00 +0000
Greetings from the Office of Intercultural Engagement!
It's time to register for this summer's 2nd annual Safe Zone Summit, happening on Tuesday, July 31st, 2018, from 10am-4:30pm in the Elliott University Center! Simply fill our our Safe Zone Summit Registration Form
before Wednesday, July 25th, 2018. Registration is free for UNC Greensboro employees, and only $25 for attendees from other campuses.What is the Safe Zone Summit?
The Safe Zone Summit is intended to provide an opportunity, outside of our standard Safe Zone Training for faculty and staff to explore aspects of LGBTQ+ identity more deeply and meaningfully. Consider this an information-packed, build-your-own-adventure rest area on your journey of continuing education around gender, sexuality, and creating more inclusive campuses.
Who can attend?
The Safe Zone Summit is tailored to faculty and staff however, feel free to also invite graduate students that work in your department. This year, we are extending our invitation to colleagues at nearby institutions for a smallregistration fee of $25.
What will the day look like?
The Safe Zone Summit will take place on Tuesday, July 31st, 2018, from 10am-4:30pm . The majority of the Summit will consist of breakout presentations on a variety of topics, allowing attendees to craft their own experience.
For those wanting to review fundamental concepts around gender and sexuality in preparation for The Summit, we will be hosting a pre-conference session that morning, beginning at 8:30am.
We will close out our day with brief, guided group discussions. These groups are meant to provide space for processing what you've learned, and for considering how to best apply new strategies, skills, and knowledge in your daily work alongside colleagues from different departments and campuses.
I've attached the schedule so you can begin perusing our available sessions.
What else do I need to know?
Nothing! Simply mark your calendar for Tuesday, July 31st, 2018, and expect an email from me in early July with more details. Until then, put on your learning pants and add another notch to that belt - because this is sure to be a day full of great information and important dialogue!
We appreciate your commitment to inclusion, and look forward to engaging and learning alongside you during this important opportunity.
Please reach out with questions!
Elliott R. Kimball, M.Ed. (he/him/his; what is this?
Assistant Director, Office of Intercultural Engagement
LGBTQ+ Outreach, and Advocacy | The University of North Carolina at Greensboro
062 Elliott University Center | (336) 334-3478
The Friends of the UNCG Libraries are advocates and supporters of the Libraries. Our Friends make a real difference in our ability to serve the campus and the local community.
PRIDE! of the Community Holds First Scanning Event
Fri, 15 Jun 2018 17:35:00 +0000
The first scanning event for UNC Greensboro’s PRIDE! of the Community project was held on May 19. In partnership with the National Endowment for the Humanities and the Guilford Green Foundation, the PRIDE! project hopes to record the often invisible history of the LGBTQ+ community as it relates to North Carolina, especially in the Triad area and Greensboro.
Digital Projects Coordinator David Gwynn, Special Collections Technician Stacey Krim, and Manuscripts Archivist Jennifer Motszko were all present at the first scanning event to ensure the transition from physical to digital went smoothly. Most of the items they scanned during the first event were from one of their partners, the Guilford Green Foundation. They hope that as time goes on, more LGBTQ+ people and organizations will take advantage of the PRIDE! scanning days.
These events serve as a way to create digital copies of physical items such as photographs, t-shirts, organizational newsletters and records, bar or club fliers, protest signs, activism materials, and/or letters and postcards, that will stand the test of time. “Our intention is to get the LGBT[Q+] community excited about their own history,” says Motszko.
The team hopes to digitize material from the LGBTQ+ community as a whole and historically underrepresented groups within the community, such as people of color, women, older people, and transgender individuals. However, Gwynn clarifies, “Anybody who’s got a story to tell, we want to hear from, or [anyone who] has stuff that might be of interest.”
Motszko spoke to her excitement about the project, saying, “I really love this project because Greensboro has had such a large population of people in the LGBTQ[+] community...and having a very sort of quiet, undocumented group just kind of breaks my heart. So I think that the significance in this project is getting these groups...and having them also see the significance in their history.”
PRIDE! of the Community’s next scanning event will be on June 20 from 4 to 8 p.m. at Guilford Green Foundation. Visit the event page
for more details.Written by Jules Miller
LGBT Pride Month
Tue, 19 Jun 2018 18:25:00 +0000
June is LGBT Pride Month! It was first officially recognized by President Bill Clinton in 1999, the month of June was chosen to commemorate the Stonewall Riots, a pivotal moment in American LGBT History. This month we would like to highlight the life and works of Bertha Harris. Bertha Harris was born in Fayetteville, North Carolina in 1936. She studied at the University of North Carolina at Greensboro and moved to New York City in the 1960s, but her work has often been inspired by her experiences in the South.
Harris’ writing is defined by her inventive and experimental narrative styles. Her first novel, Catching Saradove, is the most rooted in convention. The novel is set in New York City and North Carolina, and is semi-autobiographical, exploring the themes of feminism and other social movements that permeated the 1960s. Her most ambitious work, however, is considered to be the novel Lover. Lover is a postmodernist work that rejects narrative for an experimental style. It has themes of radical lesbian philosophy and features characters both fictional and historical.Those interested in lesbian and feminist fiction will find her works revealing and engaging. She is very highly regarded by critics and her work resonates with contemporary and modern feminists alike. Harris died in 2005, at the time she had been working on her fourth novel, a comedy entitled Mi Contra Fa. Although this novel was unfortunately never published, you can find Harris’ other works at your local bookstore or library. Celebrate Pride Month by supporting the work of local LGBT authors, and learning about their experiences through their writing.
SCUA collects, preserves, and makes accessible rare, unique, or otherwise significant materials outside the scope of the general UNCG library collection. We also deliver presentations, classes, tours, and exhibits.
Our collections include official records, personal manuscripts, rare books, textiles, A/V materials and artifacts. Subject strengths include women's history, literature, theatre, music, and dance.
Nancy Drew – Girl Detective and Cultural Icon
Fri, 29 Jun 2018 20:43:00 +0000
If you have not had a chance to get by the Nancy Drew exhibit in the Jackson Library Lobby – please do so!
Perhaps more than any other book series, the Nancy Drew mysteries have captured the hearts and imagination of generations of young adults. First published in the 1930s, the books featured the adventures of the independent, plucky daughter of widowed attorney Carson Drew. With her best pals Beth Marvin and George Fayne in tow, Nancy Drew constantly finds herself in the middle of thrilling mysteries which were inevitably solved by the last chapter. The first three books were published in April 1930 and The History of the Old Clock
, The Hidden Staircase
, and The Mystery of Lilac Inn
were immediate successes. By the seventh installment, Ned Nickerson is introduced as Nancy’s love interest, often tagging along on her adventures.
|Nancy Drew Exhibit!|
Originally penned by Mildred Benson under the pseudonym of Carolyn Keene, later volumes were ghostwritten by various other authors, keeping a relatively consistent style. Through the many decades of publication, Nancy and her friends saw numerous updates. In the first books, Nancy sported pearls and pumps and drove a “roadster.” By the 2000s, her look was modernized and she drove a hybrid electric car and handily used her cell phone for quick calls and information queries. These updates have been reflected not only in the style of the characters, but also the framework of the books. In 2003, publishers Simon & Schuster concluded the format of the original series and featured her character in the new series, Girl Detective
. By 2013, the publishers again changed the format of the books into The Dairies
, further updating the character and her adventures.
The enduring worldwide appeal of Nancy Drew has been a result of engaging plot-lines and characters, as well as the successful marketing of the brand through the decades. Lunch boxes, cookbooks, games, and paper dolls have kept the characters active and relevant. This exhibit reflects the popularity of the Nancy Drew franchise by incorporating books and artifacts from the Martha Blakeney Hodges Special Collections and University Archives!
Photos and other fun stuff from The University of North Carolina at Greensboro’s Martha Blakeney Hodges Special Collections and University Archives in the University Libraries.
You can also follow us on Twitter: @UNCGArchives!
All the salads you can imagine are here:
Fri, 20 Jul 2018 14:00:22 -0400
Tales from the University Archives at the University of North Carolina at Greensboro
Happy Birthday to Us!: Celebrating 60 Years of University Archives
Mon, 16 Jul 2018 13:00:00 +0000
|Annual Report of the College Archives Committee|
Prior to 1958, there was no organized, formal method for acquiring, managing, and preserving the official records created by the Woman’s College (now UNCG). The need and importance of establishing such a process was brought to the administration’s attention in August 1956 in a letter from A.F. Kuhlman, Chairman of the Association of Southeastern Research Libraries, and E.C. Roberts, Director of the Southeastern Interlibrary Research Facility. In their letter, they noted that as colleges became more decentralized, “it becomes increasingly important that there be a central depository and an archival program for the official records of an institution.” They went on to explain that “only by a systematic program of collection and preservation of the publications and records of an institution can the full and true story of that institution’s development and endeavors be recorded.” The letter closes with a recommendation for the college to assume this responsibility and to start saving their history. However, it would be two more years before the school took any official action.
In the fall of 1957, North Carolina State Archivist, H.G. Jones, was invited to the campus to survey the archives. He was not happy with the current conditions of the archives as he “looked with considerable scorn” upon the cases that housed the archival materials in the Forney Building and Library Building. Following his visit, Jones wrote a letter to Chancellor Gordon W. Blackwell, giving detailed advice on some immediate and long term problems facing the college archives.
|Charles Adams, 1951|
In response to these recommendations, Chancellor Blackwell appointed current Librarian, Charles M. Adams, as the new Archivist, and Marjorie Hood as the Assistant Archivist. In addition, he established the College Archives Committee in January 1958, whose charge was “to advise the College Archivist concerning selection of materials for the archives, proper housing of the archives, and other pertinent matters.” Other members of the committee, along with Adams and Hood, included history professors Richard Current and Blackwell Robinson. In May 1958, the committee traveled to Raleigh to study the state archives and ask for further advice on proper storage and care of archival materials. One of the first priorities of the committee was transferring records located in the basement storage vault of the Forney Building to the Library Building as excessive temperature and humidity threatened to damage the materials.
The work of the College Archives Committee was the first step in developing a formal archival program with dedicated staff and storage space. Today, UNCG's University Archives
continues to collect and maintain the campus's historically-valuable documents and records. These include paper records, as well as those produced in a digital format (including websites
). The University Archives faculty and staff also present guest lectures on campus history in numerous undergraduate and graduate courses throughout the year. Additionally, through social media
, online publications
and exhibits, and digitization
work done in the University Libraries, researchers can now dig into UNCG's long history from anywhere in the world. The University Archives ensures that the history of UNCG is remembered - now and in years to come.
UNCG's land of data releases, new data sources, fun stats information, and much more!
Election Data at Roper Center
Thu, 19 Jul 2018 21:07:00 +0000