Announcing the Aulmni & Friends Book Club
Wed, 08 May 2019 15:51:00 +0000
We are excited to announce the launch of the UNC Greensboro Alumni & Friends Book Club! Joining this online community will allow alumni and friends to connect with each other and enjoy books related to lifelong learning, social issues, literature, psychology and other user-submitted ideas. There is no cost to participate—all you need is a copy of the book.
The program is co-sponsored by UNCG Alumni Association
, UNCG Bryan School of Business and Economics
and UNCG University Libraries
How it works.
The book club will connect through a private online forum where participants can discuss the current book and network with each other. Participants will spend two months on each book. Sign up and learn more today, by visiting https://www.pbc.guru/uncg/
Why should you join?
There are lots of reasons to participate in the Alumni & Friends Book Club, and we hope you will join us! Participants will be able to:
- Connect with fellow Spartans around the globe in the private forum!
- Participate from anywhere to be a part of a lifelong learning community!
- Vote on the upcoming book choices, six per year!
The book club will be managed by PBC Guru, who will assist in moderating the group to help make this program a great experience for all participants. If you have any questions, email email@example.com
or visit http://www.pbc.guru
to learn more about PBC Guru.
The deadline to participate in the first book selection is June 2, 2019
! Sign Up Now
, the deadline is quickly approaching!
Guilford Green Foundation: Trans Clothing Closet
Fri, 24 May 2019 13:56:00 +0000
Check Out Their Trans Clothing Closet
Less than a year after opening to the public, and the LGBTQ Center is already proving to be a valuable space where the community can access critical information and resources.
They're a library, a meeting space, and now -- a closet!
Their trans clothing closet is a collection of clothing, shoes, accessories, and select undergarments, such as binders, available free to members of the local area transgender community.
Anyone can "shop" here during open hours at the LGBTQ Center
. They are especially interested in helping those who cannot afford new clothes or people who may be new to transition and uncomfortable in stores.
Right now their trans clothing closet is only a few racks. But their planned new downtown center location will offer new possibilities for expanding and partnering with other organizations.
In the future, they hope to offer programming, like clothing swaps, and have a rotation of seasonal collections based on community needs.
They'll need help from fashion-loving friends to keep the closet stocked. Call the LGBTQ Center if you are interested in making a donation.
Check-in to see which new DVDs are hitting the shelves in Jackson Library!
Tue, 21 May 2019 17:54:00 +0000
SCUA collects, preserves, and makes accessible rare, unique, or otherwise significant materials outside the scope of the general UNCG library collection. We also deliver presentations, classes, tours, and exhibits.
Our collections include official records, personal manuscripts, rare books, textiles, A/V materials and artifacts. Subject strengths include women's history, literature, theatre, music, and dance.
A New Addition and an Epic Story: The UNC Greensboro Cello Music Collection welcomes the manuscripts and papers of Lubomir Georgiev
Wed, 15 May 2019 11:30:00 +0000
The Martha Blakeney Hodges Special Collections &University Archives is pleased to announce the donation of an important addition to the UNC Greensboro Cello Music Collection. The archive has received the manuscripts, personal papers, recordings and photographs of Bulgarian cellist, teacher, and composer, Lubomir Georgiev. This is a second, critical part to the initial sheet music collection, which was received in 2014. As the original donation only consisted of annotated sheet music, these recently donated materials contribute to understanding the breathtaking story behind Lubomir Georgiev as a performer, teacher, composer, and political refugee.
Lubomir Georgiev (b. Dec. 24, 1951, Varna, Bulgaria - d. May 31, 2005, Tallahassee, FL) studied with cellist Zdravko Jordanov, composer and violinist Marin Goleminov, and composer and pianist Alexander Raytchev at the Bulgarian State Academy of Music “Pantcho Vladigerov” in Sofia. He graduated with his Bachelor of Music in Cello Performance in 1976 and his Bachelor of Music in Composition in 1978. A talented performer, Georgiev’s reputation was established quickly in Bulgaria. He became principal cellist and soloist for the Sofia Philharmonic Orchestra by 1978, touring throughout Europe and North America with the symphony. As a composer, Georgiev was winner of the Youth Creativity Award of the Bulgarian Composer’s Union in 1980 for his Concerto for Cello and Orchestra, as well as first prize at the Carl-Maria von Weber International Competition in Dresden, Germany only a year later for his string quartet, Musica Multiplici Mentes. By his late 20s, Georgiev was a rising star as a performer and composer with ambitions to refine his musicianship and well along the path to making his name known worldwide. Unfortunately, to be overly aspiring in his homeland at this time was dangerous.
|Georgiev performing as the soloist, 1981|
Bulgaria between 1946 to 1990 actually was known as The People’s Republic of Bulgaria, controlled by the Bulgarian Communist Party in close alliance with the Soviet Union. It was a country in which the government diligently watched over and controlled the lives of its citizens, regulating external cultural influences so as to avoid any potential corruption or subversion to Communist ideology. Musicians, such as Georgiev, were permitted limited access to the arts and artists from non-communist countries, but there were few avenues for creative growth. The government enforced strict adherence to Communist values and state loyalty.
As an artist, Lubomir Georgiev recognized that Communism directly repressed the heart of his identity as a musician. When he became principal cellist in Sofia, it was demanded that he officially join the Communist Party, but he refused. Yet again, two years later in 1980, it was demanded that Georgiev join the Party, and he declined. Needless to say, this did not endear Georgiev to Communist officials. Georgiev’s clash with Communism culminated in 1986 during a visit to Bulgaria by the famous cellist, János Starker. This was Starker’s second visit to Bulgaria in which Georgiev was able to study with him, and on both occasions, Starker invited Georgiev to be his student at Indiana University Bloomington. The prospect to develop himself as a musician with such a legendary artist was the opportunity Georgiev craved and what was denied to him by living in a Communist country. He began making plans to travel to the United States to become Starker’s student.
|Georgiev performing in a master class for János Starker in Bulgaria |
Georgiev’s choice came with great risk; to travel to the United States, he would need an American visa, but it was forbidden for a Bulgarian citizen to directly contact anyone at the American Embassy. The Bulgarian government feared not only the potential for espionage, but also that its citizens would defect. Consequently, Georgiev arranged a secret meeting with a cultural attaché to the American Embassy in Sofia. They were set to meet at 3:00 pm on May 5, 1986 at a park bench in front of the National Theater.
Georgiev arrived at the meeting place early and saw the attaché approaching. Before the diplomat got to the bench, two men abducted Georgiev and transported him to a nearby building in which he was imprisoned in the basement. He was interrogated for several hours about his motives for contacting the American Embassy. Eventually, he was sent back to his house with his wife, where he was told to remain until contacted. The Bulgarian agent who originally questioned Georgiev visited him after two days and informed Georgiev that he would be allowed to travel to the United States on one condition; Georgiev was to serve as a spy for Bulgaria. He was given permission to leave Bulgaria for five months to study with Starker and was forced to leave his wife behind in Bulgaria. Georgiev made it to the United States on January 8, 1987 and would not set foot in Bulgaria again until after the fall of the Communist government.
When it became apparent that Georgiev was not serving as a spy and had no plans to return to Bulgaria, government officials began to get nervous. Georgiev’s wife at the time, Rossitza Dontcheva Georgiev, had applied for a passport and visa to travel in 1987, and when she went to the police station to collect the documents, government officials were waiting for her. Rossitza was interrogated, and after it was ascertained that she could speak English, she was told that she was to travel to the United States to find and retrieve her husband, acting as a spy for the Bulgarian government for the forty days she was allotted for the task. Ultimately, Rossitza would travel to the United States and remain with her husband.
Physical residency in the United States did not mean that Lubomir Georgiev was safe against reprisal from the Bulgarian government for his defection. Georgiev had been scheduled for a five-concert tour in Japan during the Summer of 1987. As his status as a political refugee in the United States was not official yet, Georgiev technically was a Bulgarian citizen still, and the country would not issue the required permissions for him to travel to Japan, thus sabotaging his performance tour. Eventually, the Japanese Embassy did intervene, and the Bulgarian government did issue the permission, but it was issued five days after the tour began, making it impossible for Georgiev to participate in the tour.
Although performing was impossible for Georgiev immediately after defecting to the United States, he was able to indulge in his original purpose. Once at Indiana University, Georgiev thrived, studying not only with János Starker, but with such great musicians as Fritz Magg and David Baker. He graduated with his Artist’s Diploma in Cello Performance from the Indiana University School of Music in 1988. This was an important year, as Georgiev officially was granted asylum on November 22, 1988. With protection granted by the United States, Georgiev was able to find employment, serving as principal cellist of the Richmond Symphony in Indiana from 1989 to 1993.
|Georgiev with student|
After settling in the United States, Georgiev became known as a teacher and performer. Georgiev was hired as an Assistant Professor of Cello at Florida State University (FSU) and began serving as principal cellist for the Tallahassee Symphony Orchestra in 1993. He made multiple appearances as a soloist, in addition to performing in chamber ensembles. In 1995, after the fall of Communism in Bulgaria, Georgiev even returned to his birthplace of Varna on a tour to perform and teach a new generation of Eastern European cellists.
The UNC Greensboro Cello Music Collection of the Martha Blakeney Hodges Special Collections & University Archives is excited to provide exposure and access to Lubomir Georgiev’s collection, bringing attention to the public the story of his life and providing support to researchers and performers. Once the manuscript compositions are processed and cataloged, there are plans to provide free digital access to Georgiev’s compositions and arrangements (copyright permitting), permitting researchers worldwide to explore Georgiev as a composer and allowing performers the opportunity to bring his music to life. Additionally, the collection includes materials that can be incorporated into class instruction, including the paperwork relating to his petition for asylum in the United States. Lubomir Georgiev is in good company among the other cellists represented in the UNC Greensboro Cello Music Collection, masters of their instrument and many of whom were political refugees.
Consisting of the archival collections of sixteen cellists, the UNC Greensboro Cello Music Collection constitutes the largest single holding of cello music-related material worldwide.
Photos and other fun stuff from The University of North Carolina at Greensboro’s Martha Blakeney Hodges Special Collections and University Archives in the University Libraries.
You can also follow us on Twitter: @UNCGArchives!
The #FashionFriday Team loves tiaras! This tiara was presented...
Fri, 24 May 2019 10:00:36 -0400
The #FashionFriday Team loves tiaras! This tiara was presented to Woman’s College (now #UNCG) student, Virginia Ambrose, as the 1940 May Queen. It is now part of the University Archives Artifact Collection!
Tales from the University Archives at the University of North Carolina at Greensboro
The Road that Divided the Campus - Walker Avenue and its closing
Mon, 20 May 2019 10:00:00 +0000
From the earliest days of the school, Walker Avenue had bisected campus, forcing students to cross the busy street (often multiple times daily) to access buildings on both sides. The dining halls, science building, home economics building, gymnasium, and many residence halls were all located north of Walker, while the library, Curry, McIver Memorial, student’s building, auditorium, and the administration building were all located south of Walker.
|1943 Map of Woman's Collage campus showing buildings bisected by Walker Avenue|
The only safe crossing of the busy avenue was at College Avenue. Over the years, students would cross Walker Ave. via a succession of bridges built to enable foot traffic on College Ave. (running north and south). The bridges were constructed of wood, then iron, and finally concrete in 1928.
|1920 aerial view of College Avenue with bridge over Walker Avenue|
Walker Ave. became an increasing busy thoroughfare for autos during the 1940s, a situation that only got worse with the post-war boom. Indeed, Walker Ave. was one of the best east west corridors for residents on the western side of Greensboro seeking to drive to the city center.
So, the stage was set for an impasse when Woman’s College building plans included closing the part of Walker Ave. that bisected the heart of its campus, while the city’s residents wanted to maintain Walker Ave. as way to get to downtown from west Greensboro. In 1945, The Board of Trustees approved a plan of building expansion (more than $3,000,000 to be set aside for buildings) for the school that required Walker Ave. be closed, but they did not have the authority to do so.1
Indeed, the plan sited two new buildings, the library (now Walter Clinton Jackson Library) and an expansion to the home economics building (now Stone Building) directly astride the existing Walker Ave. The Greensboro City Council initially denied the request to close Walker Ave. in August of 1945. Next followed suggestions from closure opponents that the school expand westward or even that a 1,350 tunnel should be built from Tate St. to a point between Kenilworth and Stirling Streets.2
Westward expansion would not solve the problem of students needing to cross busy Walker Ave. (nor would it allowed the for the planned library and home economics building expansion) and it was not expected that the state would furnish another $1,000,000 (the estimated cost of the tunnel) to the millions already proposed to the school for expansion. Thus, the tunnel proposal died.
|Image used by Dr. W.C. Jackson to promote WC campus after Walker Ave. closure|
Still, proponents of the closure of Walker Ave. including Dr. Frank Porter Graham (president of the Consolidated University of North Carolina) W.D. Carmichael, Jr. (comptroller of the University of North Carolina) and Walter Clinton Jackson (chancellor of Woman’s College) among others, worked hard to convince Greensboro and the council to reconsider the closure of Walker Ave. Most arguments were centered around Woman’s College role in the Consolidated University of North Carolina (with Chapel Hill and NC State) and its role as a preeminent school for the education of women. Dr. Graham called Woman’s College the “greatest asset in the building of a greater Greensboro,” and cited closure of Walker Ave. as the “keystone in the college’s great plan for the future.” Carmichael warned that keeping Walker Ave. would block Woman’s College expansion plans and the institution would have no chance to remain competitive with other women’s colleges for growth.3
In a publication to the Greensboro City Council, Dr. Jackson said, “The authorities of the College have made plans for going forward in making this the great institution that it and Greensboro and the State deserve. They are planning great things. They are looking far ahead. They are thinking of the College as it shall be 25 and 50 years from now….It is of the highest importance that the campus we are planning should be a complete unit. The indispensable and fundamental change necessary in carrying out these plans is the closing of Walker Avenue from McIver Street to Forest Avenue.4
|Bulldozer breaking up Walker Ave. near the College Ave. bridge|
Eventually, the proponents for Walker Ave. closing won out. On June 7th
, 1947, the City Council adopted a resolution setting the closing of Walker Ave. through Woman’s College on the date that the space was needed for actual construction of a building bridging the avenue. At 1pm on September 24, 1948, barricades were placed on Walker Ave. and work started a few days later on the Library which sits on the former site of Walker Ave.5
**Look for a future post showcasing views of the College Avenue bridge used to cross Walker Avenue!**1- W.C. Jackson to City Council of Greensboro, March 5, 19462-"City Authorities Offer Avenue Tunnel Project" Greensboro Daily News, February 26, 19463-"College Request for Closing Street Taken under Advisement by Council" Greensboro Daily News, March 6, 1946 **Special thanks to Mark Schumacher for help in tracking down the date of this article!**4-W.C. Jackson to City Council of Greensboro, March 5, 19465-"Walker Avenue Closed Today" Greensboro Daily News, September 24, 1948